 
Its subject is how we think about the body. In this era of intense  research into the human genome, synthetic biology, consciousness and so  on, it might almost seem that our physical bodies do not matter. But  they do. It is through them that we negotiate the world and each other,  and the ways in which we have understood the human body and its  constituent parts continue to shape our views of science, medicine, and  ourselves in surprising ways.
Anatomies by Hugh Aldersey-Williams, author of Sunday Times bestseller  Periodic Tales, is a splendidly entertaining journey through the art,  science, literature and history of the human body. "Magnificent,  inspired. He writes like a latter-day Montaigne. Stimulating scientific  hypotheses, bold philosophic theories, illuminating quotations and  curious facts. I recommend it to all". (Telegraph). "Splendid, highly  entertaining, chock-full of insights ...It inserts fascinating  scientific snippets and anecdotes about our organs into the wider  history of our changing understanding of our bodies". (Sunday Times). "A  relentlessly entertaining cultural history of the human body ...brims  with fascinating details, infectious enthusiasm ...the terrain he covers  is so richly brought to life". (Guardian). "Elegant and  informative...For Aldersey-Williams, [the body] is a thing of wonder and  a repository of fascinating facts". (Mail on Sunday).  It is the most  fraught and fascinating, talked-about and taboo, unique yet universal  aspect of our lives. It is the inspiration for art, the subject of  science and the source of some of the greatest stories ever told. It is our most intimate ally against the world, provider of all  pleasurable sensations, the repository of all we feel and know. And yet  what a source of puzzlement and worry the body is: a home we never  chose, a facade that we continually disguise, a protector that we know  will fail us in the end. Until we fall ill, most of us take this  extraordinarily complicated collection of flesh, bones and fluids  entirely for granted. But from ancient body art to plastic surgery, from  early anatomists to conceptual artists, grave-robbers to bionic  athletes, our changing attitudes to the human body - how it works, what  it should look like, how to live with it, what it means - tell us more  about ourselves than almost any other subject in human history.   Blending history, science, art, literature and the everyday, one of our  finest science writers investigates this most marvellous and mysterious  of creations. The result is a treasure trove of surprising facts, remarkable stories  and startling information that encompasses everything from the first  finger-printing to the physiology of angels, from synaesthesia to the  clown-egg register, from the death-mask of Isaac Newton to the afterlife  of Einstein's brain. Praise for Periodic Tales: "Science writing at its  best ...fascinating and beautiful ...if only chemistry had been like  this at school ...to meander through the periodic table with him ...is  like going round a zoo with Gerald Durrell ...a rich compilation of  delicious tales, but it offers greater rewards, too". (Matt Ridley).  "Immensely engaging and continually makes one sit up in -surprise".  (Sunday Times). "Splendid ...enjoyable and polished". (Observer).  "Full  of good stories and he knows how to tell them well ...an agreeable  jumble of anecdote, reflection and information". (Sunday Telegraph).  "Great fun to read and an endless fund of unlikely and improbable  anecdotes ...sharp and often witty". (Financial Times). Hugh  Aldersey-Williams studied natural sciences at Cambridge. He is the author of several books exploring science, design and  architecture and has curated exhibitions at the Victoria and Albert  Museum and the Wellcome Collection. His previous book Periodic Tales:  The Curious Lives of the Elements was a Sunday Times bestseller and has  been published in many languages around the world. He lives in Norfolk  with his wife and son.
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